Tag Archives: Lisa Maza

  1. The End


    May 7, 2014 by wandalusst

    Photo Credit: Lucy Crossett Lisa Maza, as the Weaver, and Rosie Bray as The Child, bring the Swansong to a …
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  2. Finally, the finale


    April 30, 2014 by wandalusst

      Photo Credit: Lucy Crossett  Lighting Design: Rachel Burke Musical Direction: Jo Trevathan   Choreography: Robin Laurie Outside, in the …
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  3. The Beetrooth of Verity


    April 22, 2014 by wandalusst

    Photo Credit: Lucy Crossett  Lighting Design Rachel Burke Costumes: Alice Prowse  Design: Jane Murphy At last, the tin of St …
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  4. And after a brief interval….


    March 29, 2014 by wandalusst

    Photo Credit: Lucy Crossett In the foyer of the Roslyn Smorgon Gallery at FCAC, Violet Basic-Lyell as Master Wunderkind plays …
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  5. In Consolation


    March 23, 2014 by wandalusst

      In the Bindery, an act of resistance turns desolation into hope. Lisa Maza as The Weaver leads The Quire, …
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  6. One week to go…


    February 22, 2014 by wandalusst

    Footscray here we come.

  7. Go West!


    January 17, 2014 by wandalusst

    Robin Laurie (Director) and Peta Murray (Writer/Producer) Photo Credit: Jane Murphy On a hot day, it’s great to kick back …
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  8. Q: How many women does it take to make a Swansong?

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    December 13, 2013 by wandalusst

    Answer: Lots. Just some of our stellar artists and crew in this picture taken earlier this year.

  9. A rehearsal with a public audience – reflection by guest blogger, ANU researcher Bec Clifford

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    September 20, 2013 by wandalusst

    (Pictured: Peta Williams, composer, at the keyboard, with Musical Con-Sorts, Stefanie on violin, Shani on viola, and Fiona on cello.) …
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  10. Scene from a Swansong

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    September 16, 2013 by wandalusst

    As The Weaver looks on, The Child receives the gift of song from Verity and the Eternal Verities.

The ADVENTURES of Mannie McKenzie

Follow Mannie on her crafty ADVENTURE

Songs for the Struggling Artist

An artist wrestling with the artist stuff


TTFO, Things That Fall Over, concerning the creative development of an (anti-) musical of a novel inside a reading of a play, with footnotes, and oratorio-as-coda.